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Showing posts with label Francisco and Jacinto Marto. Show all posts
Showing posts with label Francisco and Jacinto Marto. Show all posts

Sunday, April 25, 2010

The 13th Day: the Story of Fatima


I watched The 13th Day last night with DH (shorthand for "dear husband" for the uninitiated). It's a 2009 film about the miracle of Fatima and I think it is superb. I've read Lucia's memoirs and the movie is true to the events. Choosing to shoot primarily in black and white and sepia tones, with color saved for the vision of hell and the miracle of the sun, the cinematographers made a good choice. It gives a sense of the historical period when things happened. Since the newsreel shots of World War I are also in black and white it also provides a consistency that was effective. The technical aspects of the film are fine and well done although the nighttime sky with the moon and stars looks fake as does some of the rain in the miracle sequence. Those are small criticisms in an overwhelmingly effective presentation which was shot mainly on location in Portugal.

One of the things I especially appreciated about the film was the screenplay. Often anachronisms creep into modern films about older events (Check out the ridiculous dialogue in the Richard Burton/Liz Taylor extravaganza Anthony and Cleopatra), but these writers avoided that. All the conversations are stamped with the historical time without being stilted.

The opening scene shows Lucia as an adult and now a nun writing her memoirs at the direction of her superior. She sits at a desk by candlelight telling the story as she writes. Occasionally, she appears again as a third person narrator. The switch between present and past is effectively done.

The children are wonderfully portrayed by the little actors as are the parents, especially Lucia's mother played by Jane Lesley. In her book about the events, Fatima in Lucia's Own Words, Lucia describes how severe her mother was. You see that throughout, but without the woman becoming a stereotyped "mommie dearest." Her mother's gradual softening culminates in a tender scene near the end when Momma tells Lucia she will attend the October 13th apparition and "die" with her. Jacinta and Francisco's father was also well-portrayed. He never doubted the children and the exchange with Lucia's dad about "acting like a father" was played in an understated, not macho, way. I found it touching. In a culture where fatherhood has been so denigrated, it is refreshing to see a man played with quiet strength and dignity. He made me think of St. Joseph.


The only jarring note I found in the film was the scene when the children are taken by the mayor of Ourem and put in the jail cell with the male prisoners. One of the men, the most menacing in fact, dances with Jacinta. I couldn't help thinking about the child sex abuse scandals as he picked her up and held her in his arms. But that is putting a modern interpretation on a past event, one that really happened. Here's how Lucia described it in her first memoir:
Among the prisoners, there was one who played the concertina. To divert our attention, he bgan to play and they all started singing. They asked us if we know how to dance. We said we knew the [fandango] and the [vira]. Jacinta's partner was a poor thief who, finding her so tiny, picked her up and went on dancing with her in his arms! We only hope that Our Lady has had pity on his soul and converted him!
As I watched the film there were several times I noticed a resemblance between my grandson Ryan, who is sweet and tender-hearted, and Francisco, the little shepherd boy. It made me smile and reminded me how similar children can be even separated by generations and an entire way of life.

I reread a portion of Lucia's memoirs after seeing the movie and found lines that were directly incorporated into the script. Obviously, Ian and Dominic Higgins the producers, directors, and scriptwriters for the film, as well as the main catalyst for everything else, had great respect for the story and wanted to portray it accurately. In an interview on The 13th Day website, Ian pointed this out saying:
The 13th Day is a dramatization of actual events and most of the characters that appear in the film actually existed, so research was crucial from that point of view and from day one, everyone on the team was committed to realizing this film in such a way that it kept as true to the actual events as possible. As filmmakers we’re also very big believers in the value of research as inspiration too. We’ve found so many great ideas for a scene, hiding away in the pages of an old book while researching the script. It’s like digging for gold, there are so many fantastic nuggets of information buried away, just waiting to be re-discovered, it’s a really exciting part of the process.
If you have wondered about Fatima and what happened there, you don't want to miss this movie. It would make a great addition to any Catholic familiy's film library giving a glimpse into extraordinary events that occasionally happen to ordinary people. I found it an inspiration to the soul and satisfying proof that it doesn't take big bucks to tell a great story. This was the first feature-length film from this talented pair which gives one great hope for the future. Hollywood no longer has a stranglehold on the industry, praise God. I highly recommend The 13th Day!

Wednesday, May 13, 2009

Anniversary of the First Apparition at Fatima

Today is the 92nd anniversary of the Blessed Mother's first apparition to three little shepherd children at Fatima, Portugal in 1917. These apparitions, I believe, are crucial to the welfare of the world today. The Blessed Mother promised that if mankind listened to her warnings and did what she asked the world would have peace. The Blessed Mother is no liar, and it is hard to imagine her promising a peace that would come only several generations down the road, therefore, one can only conclude that what she asked for has not been fulfilled. Let us pray that her wishes will be carried out and the era of peace she promised will finally take place.

Read Fatima, in Lucia's Own Words

Here is Lucia's description of the first apparition:

High up on the slope in the Cova da Iria, I was playing with Jacinta and Francisco at building a little stone wall aound a clump of furze. Suddensly we saw what seemed to be a flash of lighting.

"We'd better go home," I said to my cousins, "that's lightning; we may have a thunderstorm."

"Yes, indeed!" they answered.

We began to go down the slope, hurrying the sheep along towards the road. We were more or less half-way down the slope, and almost level with a large holmoak tree that stood there, when we saw another flash of lightning. We had only gone a few steps further when, there before us on a small holmoak, we beheld a Lady all dressed in white. She was more brilliant than the sun, and radiated a light more clear and intense than a crystal glass filled with sparkling water, when the rays of the burning sun shine throuth it.

We stopped, astounded, before the Apparition. We were so close, just a few feet from her, that we were bathed in the light which surrounded her, or rather, which radiated from her. Then Our Lady spoke to us:

"Do not be afraid. I will do you no harm."

"Where are you from?"

"I am from heaven."

"What do you want of me?"

"I have come to ask you to come here for six months in succession, on the 13th day, at the same hour. Later on, I will tell you who I am and what I want. Afterwards, I will return here yet a seventh time."

"Shall I go to heaven too?"

"Yes, you will."

"And Jacinta?"

"She will go also."

"And Francisco?"

"He will go there too, but he must say many Rosaries."

Then I remembered to ask about two girls who had died recently. They were friends of mine and used to come to my home to learn weaving with my eldests stister.

"Is Maria das Neves in heaven?"

"Yes, she is." (I think she was about 16 years old).

"And Amelia?"

"She will be in purgatory until the end of the world." (It seems to me that she was between 18 and 20 years of age.).

"Are you willing to offer yourselves to God and bear all the sufferings He wills to send you, as an act of reparation for the sins by which He is offended, and of supplication for the conversion of sinners?"

"Yes, we are willing."

"Then you are going to have much to suffer, but the grace of God will be your comfort."

As she pronounced these last words "...the grace of God will be your comfort", Our Lady opened her hands for the first time, communicating to us a light so intesne that, as it streamed from her hands, its rays penetrated our hearts and the innermost depths of our souls, making us see ourselves in God, Who was that light, more clearly than we see ourselves in the best of mirrors. Then, moved by an interior impulse that was also communicated to us, we fell on our knees, repeating in our hearrts:

"O most Holy Trinity, I adore You! My God, my God, I love You in the most Blessed Sacrament!"

After a few moments, Our Lady spoke again:

"Pray the Rosary every day, in order to obtain peace for the world, and the end of the war."

Then she began to rise serenely, going up towards the east, until she disappeared in the immensity of space. The light that surrounded her seemed to open up a path before her in the firmament, and for this reason we sometimes said we saw heaven opening.


Pray the rosary daily as the Blessed Mother asked for the conversion of the world.