If the only thing you've read of Chesterton is Orthodoxy, you may appreciate his wit, but not his childlike innocence. He was a lover of fairy tales and mystery stories, puppet theatres and games, but mostly he loved and enjoyed life with the exuberance of Father Christmas. I suspect Chesterton's little novel, Manalive, is his tongue-in-cheek laugh at himself. The novel revels in the profoundly ridiculous and I could just see its hero, like the Pied Piper, attracting a crowd of little children dancing in his wake.
The protagonist, Innocent Smith, is a large man with a small head. And that, it seems to me, is the essence of Chesterton. He had a heart that required a large body to contain it, and a wise head that was not puffed up with its own brilliance. We meet Smith in a windstorm, leaping over the garden wall at Beacon House, a boarding house filled with solemn, cynical, and somewhat self-absorbed people. And like the wind that blew him into their lives, he blows them away creating a "crazy sense that it was everybody's birthday."
